May 27 – June 21, 2024
The Art of Politics and the Politics of the Arts: Music, Art, Politics and Policy
Kenneth S. Rogerson
Professor of the Practice, Sanford School of Public Policy
Course summary
This course examines the tense and inspirational relationship between art, music and politics in northern Italy. It is impossible to fully understand the impact of music and art without the political context in which it was created. Even artists who claim their work is apolitical can find their creations co-opted by earnest (and less than earnest) politicians and revolutionaries. We will explore examples of art and music in state-building, social and grass roots movements and revolutions, as well as how political institutions supported and encouraged artistic creation and development. In addition to some old and recent history, we will also look at current events.
Syllabus
Week 1: What is Art? What are Politics?
Introduction: Art, Music and the Political Context
Art and Music appreciation
Representation, Symbolism, Metaphor and Parodies: How different media are used to convey messages
The Arts and the Political Process
The Arts in Venice: Politics as Context and Subject I
Week 2: Art
The Arts in Venice and Florence: Politics as Context and Subject II
Week 3: Music
Nationalism and Music
Venice and Vivaldi
Europe and Italy: Nationalist Composers
Week 4: The Impact of Politics
Political Censorship of the Arts
Political Support of the Arts
Site visits and field trips
Venice excursion (island of Murano, Burano, Torcello)
Gallerie dell'Accademia
Doge's Palace
Trip to Firenze
Trip to Verona (includes a night at the opera at Arena di Verona)
Venice Art Biennale (contemporary art exhibition)
